My two favorite reasons for upgrades are expanded capabilities and simplified workflow.
I recently upgraded my mixing board/recording console from a Tascam DP-24SD to the Model 24. They’re both 24-track recording consoles, but the operation is night and day.
First, the DP-24SD only has 8 real-time input channels. This is fine for someone who wants to lay down tracks one or several at a time, but not for someone like me whose primary limiting factor was “too many sound sources.” The Model 24 can actually receive 24 channels of audio at once. Bye bye rack-mount submixer, hello modular synth sound sources!
Second, while the DP-24SD was really capable, with panning, effect sends, per-channel EQ, etc., all of that was controlled in a menu. When your’re in a zone making bleep bloop sounds, it takes you out of the zone to have to navigate menus. The 24 has dedicated knobs for panning, FX send, EQ, etc. for each channel. It’s like the gear I learned to do this stuff on back in the day. Except now it records 24 tracks to an SD card.
The end result of these improvements is that making music gets me high again. Instead of frustrated menu-navving, I’m tweaking sounds and levels in real time and doing more, with less context-switching. It’s a more organic relationship between myself and my analog synths.
And yes, it’s messy. I find myself changing my wiring choices every time I fire it up. In real time. On the fly. Someday the semimodulars and the modular stuff will be closer together. Until then, here we are.
It’s a similar upgrade decision tree for the laser engraver. I found myself deciding not to try new things a few times because it would require a height adjustment. Two hex screws to loosen, move the laser head to the new height, and then tighten again. A recipe for stripped screws, and a pain in the butt. Found the plans for this on thingiverse, installed it, now changing the height is just turning the knob. SO much easier to adjust the height for wood, leather, aluminum, or even the roller attachment.
